<%@LANGUAGE="JAVASCRIPT" CODEPAGE="65001"%> London 2012 Pins & Badges - Pin Manufacture

Pin Manufacture

There are several methods of pin production each of which have their own advantages and disadvantages.

 

 

Cloisonné

Semi-Cloisonné

Soft Enamel

Photo Etched

Base Metal

Copper Copper or Brass Copper or Brass Brass
Stamping Die-struck Die-struck Die-struck Photo-etched
Colour Material Coloured powdered glass Coloured resin Enamel paint Enamel paint
Surface Hard, flat, smooth Hard, flat, smooth Raised edges unless covered by epoxy resin identified as a dome across the pin Raised edges (less evident than soft enamel pin)
Manufacture Individual colours are hand applied one or two at a time and baked until hard at 800F As for cloisonné pins apart from colour being epoxy resin rather than glass Paint is applied by hand, but in one go rather than one colour at a time Several images of the same design are coloured and baked. Covered with a clear epoxy coating for protection
Advantages

Durable and scratch resistant
Valued by collectors

Perceived value similar to cloisonné
More colours available than cloisonné
Shorter production time than cloisonné
Greater scratch resistance than cloisonné
Less expensive than cloisonné
More colours available than cloisonné
Shorter production time than cloisonné
Greater pin design detail than cloisonné
Maximum pin design detail
Shortest production time
Cheapest to produce
Disadvantages Expensive to produce
Least amount of pin design detail
Fewest colours available
Longest production time
Glass can be chipped if hit hard enough

Less scratch resistant than cloisonné
Can be confused with cloisonné

Perceived value less than cloisonné
Chips can occur unless covered with resin
White colour can 'yellow' over time

Thinner than other pins
Lower perceived value than other pins
Less durable than other pins

 

The manufacturer has a number of methods to produce a pin, but they break down into 3 main areas...

Stamping
An actual size drawing of the pin is used to cut 3 steel templates or dies. One for the shape, one for the design and one for the backstamp. Following this, squares of the base metal are cut and the dies used to stamp the front and back designs and then cut the shape (removing excess metal) around the design. This results in a metal pin with raised metal edges on the pin surface. These edges then enclose and retain the colour to be applied in the next stage.

Colouring
The design is coloured using either enamel paint, powdered glass or coloured resin. Depending on the design and the material to be used a single colour or multiple colours are applied and then baked until dry. In soft-enamel or photo-etched pins, all of the colours are applied in one go and baked at apporximately 100F until dry. In the cloisonné process where powdered glass is used, individual colours are applied and baked at 800F. In the semi-cloisonné process coloured resins are applied one or two at a time and baked until hard.

Finishing
Each pin is polished to remove excess glass or paint and for soft-enamel or photo-etched pins, a clear epoxy coating is applied to protect the colours from scratching. Then the finding post (or pin) is attached with glue or solder. Finally, the pin may be plated to give the metal areas a consistent bright nickel (silver looking), bronze or gold finish.


Acknowledgements
Thanks to the '1996 Olympic Games Countdown - The Official Book of Olympic Games Pin Collecting'
for assistance in providing the information on this page

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